Exploring NYC, Part 3: Faces of the City

Over the last few years, I have taken an interest in a form of photography dubbed "street photography." Unlike other photographic disciplines with obvious sounding names (wedding photography / newborn photography), the name "street" does not convey a clear meaning of the art form.

Waiting for an opponent. Two people playing chess outside a park in Manhattan island. Leica M10 with 90mm Summicron f/2.

Waiting for an opponent. Two people playing chess outside a park in Manhattan island. Leica M10 with 90mm Summicron f/2.

Catching a ride. A young girl rides on her father's shoulders over the crowds of tourists visiting Rockefeller Center during the holidays.  Leica M10 with 90mm Summicron f/2.

Catching a ride. A young girl rides on her father's shoulders over the crowds of tourists visiting Rockefeller Center during the holidays.  Leica M10 with 90mm Summicron f/2.

Street photography might be more aptly dubbed "genuine photography" - the goal is to capture everyday scenes and interactions in a new and fresh way to highlight the beauty in our routine life.  When I am shooting the streets, I am looking for genuine interactions; faces, reactions, expressions, moods, and emotions that are genuine and not prompted by the presence of a camera.

Think about it.... when someone holds up a camera to your face, the first natural reaction is to smile and say cheese. But does that smile truly express your emotions and feelings in that moment? Unlikely.

I spy.  A woman looks out from her window on the busy New York streets below. Leica M10 with 90mm Summicron f/2.

I spy.  A woman looks out from her window on the busy New York streets below. Leica M10 with 90mm Summicron f/2.

Selfie.  A woman dressed up in her finest fashion prepares her selfie in Times Square.  Leica M10 with 90mm Summicron f/2.

Selfie.  A woman dressed up in her finest fashion prepares her selfie in Times Square.  Leica M10 with 90mm Summicron f/2.

Crowd Control.  A NYPD officer directs traffic and keeps the crowds safe as thousands of holiday revelers descend on New York's most popular attractions. Leica M10 with 50mm Summicron f/2.

Crowd Control.  A NYPD officer directs traffic and keeps the crowds safe as thousands of holiday revelers descend on New York's most popular attractions. Leica M10 with 50mm Summicron f/2.

As a street photographer, I want to capture the subject's emotions and state of being without having the camera enter the equation and effect the expression. In order to do that, I often need to be stealthy and discrete.

A large camera is off-putting. People don't want a stranger shoving a camera in their face. Which is why I use a Leica rangefinder (specifically, the M10) for my street shooting. The small and discrete nature of this camera lets me attract less attention, thereby increasing the odds of going unnoticed by my subject.

Coffee Jolt.  A kid carries two cups of coffee while walking with his parents around the 9/11 memorial.  Leica M10 with 90mm Summicron f/2.

Coffee Jolt.  A kid carries two cups of coffee while walking with his parents around the 9/11 memorial.  Leica M10 with 90mm Summicron f/2.

The Eye.  A passenger looks out of the window on an express train to Wall Street.  Leica M10 with 90mm Summicron f/2.

The Eye.  A passenger looks out of the window on an express train to Wall Street.  Leica M10 with 90mm Summicron f/2.

Philosophically, I want every picture I take to be a flattering one. I try to avoid any photograph that could embarrass or humiliate my subject. For instance, I don't photograph the homeless or disabled persons, with few exceptions. 

Ideally, when I am taking street photographs, I am invisible. The person never knows that I took their photograph, or if they do, they are not embarrassed. If someone sees me taking their photograph, I will smile and wave, showing that I'm not a threat. Sometimes I'll tell someone they were beautiful and interesting to me. Surprisingly, most people respond very well to this, and I have never had anyone get mad because I took their photograph.

BFFs.  Two women pose for a photograph in Times Square. I "plucked them out of a crowd" by using a longer focal length and narrow depth of field, thereby blurring the people around them and focusing the attention of the photograph solely on their faces.  Leica M10 with 90mm Summicron f/2.

BFFs.  Two women pose for a photograph in Times Square. I "plucked them out of a crowd" by using a longer focal length and narrow depth of field, thereby blurring the people around them and focusing the attention of the photograph solely on their faces.  Leica M10 with 90mm Summicron f/2.

Stroll.  A man walks in front of the United Nations building. The harsh light and strong shadow became the sparkle that drew me to make this image.  Leica M10 with 35mm Summicron f/2.

Stroll.  A man walks in front of the United Nations building. The harsh light and strong shadow became the sparkle that drew me to make this image.  Leica M10 with 35mm Summicron f/2.

As a photographer, I find street photography offers a unique challenge over some of the other photographic disciplines. When I am making landscape images, I often plan the photo, sometimes to a scientific extreme. But as a street shooter, I take whatever I get and roll with the punches.

If it is sunny outside, I have to work with that. If it's raining, I work with that. 

The impromptu and impulsive nature of this type of shooting means I often "follow my nose" - if the light looks particularly good one direction, I'll walk that way. I walked 14 miles in New York one day without having any real plan - I just wandered Manhattan looking for things that caught my eye.

I remain hyper aware of the location of the sun and will switch to another side of the street if the shadows and light is better there. My head is on a swivel, constantly looking for that sparkle.

Street Blown.  A woman's hair blows around in the wind caused by cars rushing past on the street nearby.  Leica M10 with 50mm Summicron f/2.

Street Blown.  A woman's hair blows around in the wind caused by cars rushing past on the street nearby.  Leica M10 with 50mm Summicron f/2.

Patience.  A cyclist waits for the crosswalk sign to turn in his favor.  I was drawn to the fact that his face was covered, so the only place from where I could draw expression was his eyes, and he rewarded me with a very expressive moment.  Leica M10 with 90mm Summicron f/2.

Patience.  A cyclist waits for the crosswalk sign to turn in his favor.  I was drawn to the fact that his face was covered, so the only place from where I could draw expression was his eyes, and he rewarded me with a very expressive moment.  Leica M10 with 90mm Summicron f/2.

"Sparkle" - that is what I am looking for as I walk. Sparkle is the photograph. Sparkle is the emotion, the color, the contrast, the shadow, the expression...the thing that pushes me to take the photograph. 

As a street photographer, I am instinctive. When I see sparkle, I shoot. If I wait too long and think about it, I have lost that moment of sparkle. 

When someone looks at one of my images and comments "I never would have seen that" or "how did you catch that," I know they see the sparkle. They are looking at the print and see the sparkle that pushed me to create the image in the first place.

Lost.  This is one of the very rare exceptions I have ever made to my rule about not photographing the homeless. This particular gentleman had positioned himself in the middle of the sidewalk, forcing pedestrian traffic to divert around him and creating a bit of a traffic jam. I wanted to capture the reaction from other people to having to divert around him and the story of what his day must feel like as thousands of people pass him by.  Leica M10 with 35mm Summicron f/2.

Lost.  This is one of the very rare exceptions I have ever made to my rule about not photographing the homeless. This particular gentleman had positioned himself in the middle of the sidewalk, forcing pedestrian traffic to divert around him and creating a bit of a traffic jam. I wanted to capture the reaction from other people to having to divert around him and the story of what his day must feel like as thousands of people pass him by.  Leica M10 with 35mm Summicron f/2.

Smile.  A man smiles as he reads something on his cell phone while riding the subway in New York.  Leica M10 with 90mm Summicron f/2.

Smile.  A man smiles as he reads something on his cell phone while riding the subway in New York.  Leica M10 with 90mm Summicron f/2.

Street photography can also be about story telling. Not every image has a story, but sometimes the story is the sparkle. For instance, take this pro-Tibet rally I saw in New York. Thousands of people were marching across Manhattan to the site of the Chinese Consulate peacefully carrying signs and flags supporting Tibet. 

At one point, their march passes in front of the McDonald's restaurant near Times Square. I immediately saw a story, and began photographing that story.

I was moved at the juxtaposition of American consumerism and the protected right of speech. Here are some people peacefully exercising their First Amendment right to free speech in front of one of America's biggest corporations. To me, this captures the essence of what makes America an incredible country -- there are so many places in the world where this scene would not be allowed, and the combination of the two created an emotional sparkle.

Pro-Tibet rally participants march in front of one of America's icons of global consumerism.... McDonalds.  Leica M10 with 35mm Summicron f/2.

Pro-Tibet rally participants march in front of one of America's icons of global consumerism.... McDonalds.  Leica M10 with 35mm Summicron f/2.

The pro-Tibet rally walked through Times Square demanding peace.  Leica M10 with 35mm Summicron f/2.

The pro-Tibet rally walked through Times Square demanding peace.  Leica M10 with 35mm Summicron f/2.

Stage. Rally goers assembled for a speech near the Chinese consulate.  Leica M10 with 35mm Summicron f/2.

Stage. Rally goers assembled for a speech near the Chinese consulate.  Leica M10 with 35mm Summicron f/2.

Street photography often involves people, but there are some images I'll photograph without humans that still tell a human story. Usually, I try to convey human interaction with the environment in the non-people prints. These images may be more abstract and invoke the idea of people without clearly showing any in the scene. Sometimes they capture an irony or something so familiar that we stop noticing its existence. 

A Dinosaur.  A bank of pay phones that see very little use in Grand Central Terminal.  Leica M10 with 50mm Summicron f/2.

A Dinosaur.  A bank of pay phones that see very little use in Grand Central Terminal.  Leica M10 with 50mm Summicron f/2.

Ready and Waiting.  A FDNY truck sits at the ready to respond to any incidents around the city.  Leica M10 with 35mm Summicron f/2.

Ready and Waiting.  A FDNY truck sits at the ready to respond to any incidents around the city.  Leica M10 with 35mm Summicron f/2.

The Commute.  I purposefully blurred this image by jerking the camera in a violent pan as the taxi approached. The goal was to create a shot that captured the blur of commuting and traffic in a city as busy as New York.  Leica M10 with 90mm Summicron f/2.

The Commute.  I purposefully blurred this image by jerking the camera in a violent pan as the taxi approached. The goal was to create a shot that captured the blur of commuting and traffic in a city as busy as New York.  Leica M10 with 90mm Summicron f/2.

The Message.  A simple chair might not have had the sparkle to catch my eye, but this chair, with the "No Crying Allowed" message caught my eye.  Leica M10 with 90mm Summicron f/2.

The Message.  A simple chair might not have had the sparkle to catch my eye, but this chair, with the "No Crying Allowed" message caught my eye.  Leica M10 with 90mm Summicron f/2.

In some ways, everything I just described about street photography makes it sound like there is a good amount of "pray and spray"- but the art is anything other than. Pray and spray is a phrase used to describe what happens when I photographer just holds down the shutter and aims the camera recklessly in the hope of capturing a good shot.

Look carefully at my photographs and you'll see that isn't possible. Scroll down and look at the three images below (then come back).

Notice anything in them? Only the subject is in focus. Everything else has a smooth soft blur. That blur, which is referred to as bokeh (a Japanese word), is where the art comes into play. As a photographer, I drew your eyes to the subject- to a pre-determined spot - by precisely choosing what area of the print will be in focus. Don't believe me? Scroll down and look again.

Steps of Time.  Two friends take pictures on the staircase in Times Square. I loved the attire and face of the individual holding the cell phone, so focused the attention of the viewer that direction by having the rest of the image slightly out of focus.  Leica M10 with 90mm Summicron f/2.

Steps of Time.  Two friends take pictures on the staircase in Times Square. I loved the attire and face of the individual holding the cell phone, so focused the attention of the viewer that direction by having the rest of the image slightly out of focus.  Leica M10 with 90mm Summicron f/2.

Sharing a Snack.  A mom and son enjoy a Sunday morning snack at an indoor food hall in New York. The scene is very busy with elements that could distract from the story of the shared meal, but selective focus and bokeh help me isolate them and tell the story the way I want.  Leica M10 with 90mm Summicron f/2.

Sharing a Snack.  A mom and son enjoy a Sunday morning snack at an indoor food hall in New York. The scene is very busy with elements that could distract from the story of the shared meal, but selective focus and bokeh help me isolate them and tell the story the way I want.  Leica M10 with 90mm Summicron f/2.

The View.  A boy is carried on his dad's shoulders to see the holiday tree in Rockefeller Center.  Leica M10 with 90mm Summicron f/2.

The View.  A boy is carried on his dad's shoulders to see the holiday tree in Rockefeller Center.  Leica M10 with 90mm Summicron f/2.

Each of those photographs has a super thin area of the image in focus. Now consider that the camera I use is a manual focus system - there is nothing automated or automagic about it. If I do a poor job of quickly focusing the lens, then my photograph is missed. I usually get one chance - a split second - to turn the focus ring on my Leica lenses to capture that sparkle.

I won't lie - it's hard. I miss more than I catch. But the more I go out and shoot, the better I get. I have a lot of close misses - photographs I'd love another chance to take. But that's not how this works. 

In some ways, the thrill of getting it right is my drug.

I'm addicted to the elation that comes from seeing a perfectly focused shot with the story I wanted captured. That feeling drives me back to the streets, looking for my next fix.

Stormtrooper's Have to Eat.  This man was dressed in a Stormtrooper costume, but had stopped at a deli to get a snack.  Leica M10 with 90mm Summicron f/2.

Stormtrooper's Have to Eat.  This man was dressed in a Stormtrooper costume, but had stopped at a deli to get a snack.  Leica M10 with 90mm Summicron f/2.

Patience.  A police officer waits patiently for the light to chance before she begins directing more traffic over the intersection. The harsh light and strong shadows gave this scene the sparkle I was looking for.  Leica M10 with 90mm Summicron f/2.

Patience.  A police officer waits patiently for the light to chance before she begins directing more traffic over the intersection. The harsh light and strong shadows gave this scene the sparkle I was looking for.  Leica M10 with 90mm Summicron f/2.

Quick Shot: Urban Landscapes

I consider myself, first and foremost, a landscape photographer. But if I tell someone that I'm a landscape photographer, they assume I focus on trees and mountains..... which is partially true. I love a good nature scene. Yet I believe in many types of landscapes, and enjoy photographing all of them. 

Today I'm sharing a series of images that capture the urban landscape - that is a landscape that focuses less on trees and blue skies and more of the urban jungle created by mankind. When I photograph the urban landscape, I try to focus on capturing those little scenes that we've become numb to - the things we see so often that we no longer stop to appreciate their beauty.

As you look at these images, I hope you'll be reminded that there are beautiful landscapes and whimsical settings all around us. I captured these images using a Leica Monochrom with f/0.95 Noctilux (because that lens is not just for portraiture!).

This is a bit of a surrealist image - a photograph of a light pole with a reflection of a light pole

 A sign on one of the locks and waterways on the Danube River. This lock separates the boundary between Austria and Germany.

These old trollies in Austria looked like they were fresh out of 1970. I loved them!

Water spigot here.

Staircase running along a hydro electric powerplant

Tram tracks in a busy intersection in Vienna, Austria

Bridge struts in Budapest, Hungary

Inside one of the locks on the River Danube

Quick Shot: Down the Alley

One of my favorite parts of living in Europe for the past two years has been exploring the pedestrian areas of old cities and finding hidden alleyways that split off the main routes. It's quite common to find side streets paved in stones, with intricate architecture and geometry in Europe's streets, and it's unlike anything you'll find in the United States.

Last week my friend and I travelled through Hungary, Austria, Slovakia and Germany, and we saw a LOT of beautiful and picturesque alleyways. Of course, I had to photograph them all! I saved only the best, and I'm excited to present the alleys as my first set of images from this travel.

I primarily used my Leica M Monochrom on this trip, opting to focus on making beautiful black and white images. Europe is beautiful in color, but I like it in black and white too! All of the images were made using the Leica M f/0.95 Noctilux lens as well.

Click on any image for a full size preview.

A tunnel on a stone street in Durnstein, Austria.

I absolutely love this street, mostly because of the perspective as it falls away from the viewer. Photographed in Germany

A residential side street in Austria

The side street of a monastery in Melk

Triple arches on this side alley street in Germany

Vanishing street in Regensburg, Germany

Bike parking on a side street in Germany

Leica Q: First Impressions of Leica's Quirky Compact

The Leica Camera Q has been on the market for almost a year now, so it may seem a bit bizarre to have a "first impressions" take on something that has been around this long, but as long as Leica still struggles to meet demand for this camera in some markets, I think it's fair game to write like the camera is brand new. 

Leica's quirky Q camera

If you are a frequent reader of my posts (website, Facebook, Instagram), then you probably already know that I got the Leica SL Type 601 in December 2015 and have fallen head-over-heels in love with that system. The SL is my primary camera for all things digital (as I still shoot plenty of film)... So why buy into a Leica Q?

The SL system and most dSLRs have one glaring thing in common- they aren't small and subtle. Everyone in a 100 mile radius knows when I bring that camera up to my eye, even if the shutter sound is nearly silent. That's okay, the Leica SL isn't trying to be small or discreet. 

Since owning an SL, when I wanted a smaller camera, I turned to the iPhone. While the iPhone is a decent camera, it isn't a tool that I felt comfortable using to create fine art photographs (kudos to those who have done so successfully). I wasn't willing to skimp on image quality for the sake of compactness - again, the goal is to create fine art photographs. After some reading on the Leica Q, I realized I could get the same incredible image quality that has drawn me to the SL in a smaller body by investing in a Q system...... If I could find one!

The Leica Q released to much fanfare and has been touted as the best compact full frame digital camera ever built. And for that reason, it's still very difficult to find one for sale almost a full year after the camera's release. 

Let's take a quick look at the highlights on the Q's spec sheet. Aka, the features I cared about:

  • 24.2 megapixel CMOS full-frame sensor (same specs as the SL, if not the same sensor)
  • Maestro II image processor (same as in the SL)
  • Fixed Summilux 28mm f/1.7 ASPH lens
  • Electronic viewfinder (like on the SL)
  • Near silent shutter
  • Good battery performance
  • Ability to use autofocus or manual focus
  • Macro mode
  • Overall small size

A Q-uick Note

With the exception of the Leica SL and Q comparisons below, the images in this post were converted to black and white in Lightroom. I prefer to present street photography in black and white to remove some of the natural bias that color can introduce.

The settings used for these images were Auto ISO, f/1.7 and aperture priority. 


"Taking a Break" - Leica Q at Hawker House, London

Getting the Q

As previously mentioned, the Q is very hard to find in some markets, including the United States. While I live in the United Kingdom, I had a work trip to the Washington, DC area where I was hoping to find a Q for sale so I could buy it stateside and avoid paying her majesty the 20% VAT. 

Leica Store DC.... No stock. Actually, they did get a camera one morning but sold it in a few hours, before I had any chance of getting to their store. 

B&H Photo.... No stock.

Amazon...... Only if you are willing to pay $1,000+ more than MSRP (nope)

Ace Photo.... One in stock!

"Waiting Game" - Leica Q at Canada Water, London

By some miracle, Ace Photo, which was my go-to camera store when I lived in DC, had a Q in stock, but the way their website displayed the stock implied it was sold out. I had emailed Mo, the owner, and he replied that he had one and was willing to hold it for me... Woohoo!

For what it's worth, the Leica Q is equally challenging to find in London right now. There is limited stock at some retailers, but Leica Mayfair continues to be out of stock on the Q. Clearly, Leica did not expect and produce for the demand this camera generated. 

After getting the Leica Q, I returned to my hotel and tossed the battery on the charger, eager to play with the camera before taking it to a Washington Nationals baseball game later that evening. 

"Pop" - Leica Q at Southbanke Center, London

Learning the Q’s Personality

While the Leica Q bears many similarities to the Leica SL, it has its own personality as a camera and a few distinctive nuances. First of these is the menu screens, which have some notable differences. One of the first obvious differences is the layout - the SL has four sections to the menu (Camera, Image, Setup, and Favorites) while the Q menu is all in one section. This isn't a problem, but I do like having a favorites menu in the SL to quickly jump to my most commonly used settings.

Also of note, the Q does not allow the user to capture DNG only - it's JPEG or JPEG + DNG. As someone who doesn't care for the JPEG files because I'll always give at least a basic edit in Lightroom, it'd be nice to have a firmware update allowing the user to only shoot .DNG raw files.

Finally, you’ll need to read the manual or some online reviews to know what some of the titles in the settings menu adjust - like ‘OIS’ - which stands for Optical Image Stabilization. Apparently spelling that out in the menu would be too hard? How about just "Image Stabilization?"

"Ride" - Leica Q in London's Underground

Did I Break it Already? An Early Design Flaw

At the ballgame that night, the Q performed well - although the 28mm focal length is hardly the right one for shooting sports! But a few fan and stadium photos gave me something to pixel peep on my iPad later. Going to the game did highlight one of the first (and maybe the only) real problem with the Leica Q. The diopter adjustment for the Q sticks out the right side of the viewfinder, meaning that as the camera back rubbed against my shirt as I walked around the stadium, the viewfinder got out of focus. At one point I raised my new camera to my eye to take a picture and felt like screaming.... It's broken! The image was blurry and the camera never came into focus?! Was it something on the front of the lens? No. It was the dang diopter adjustment. While I figured it out after a few panicked seconds, there was momentary freak-out as my new camera suddenly was very blurry. I had read on other reviews that the diopter adjustment could be a bit too sensitive to the touch, and experienced the problem day one.

Thankfully, adding the Match Technical Thumbs Up grip to the Leica Q covers that wheel and prevents it from accidentally spinning. I also love the grip the Thumbs Up adds to the Q - it made it very comfortable to carry one handed in London all day.

"Skater Boy" - Leica Q at Southbanke Center Skate Park

"Vertical" - Leica Q at Southbank Center Skate Park

"Grind" - Leica Q at Southbanke Center Skate Park

Battery Performance

I have this weird thing about batteries. I get stressed when my iPhone drops below 50% - this irrational fear takes over where the phone could die any second! Ironically, the same phobia doesn't cripple me when it comes to filling the car with gas….

Anyway, this fear of dead batteries manifests itself in my photography. I dread the idea of being without power at a critical photo opportunity. I carry three batteries for the Leica SL to ensure I can go for days without a charge. So one of the first tests with the Q was the determine how much endurance that little battery had after a day of shooting.

Leica rates the battery to somewhere in the 300 shot range, but I easily got that type performance and then some. Granted I have the screen auto power off after 30 seconds and the camera shortly thereafter; I avoid using the LCD screen on the back, and never record video (I’m told the camera can do that). While I am conservative in the screen usage, I am not afraid to walk with the camera turned on for stretches at a time, particularly when taking street photographs. During a full day of walking through London, I used maybe 50% of the battery, so I think Leica’s rating is very conservative. Of course, that didn’t stop me from buying a spare!

"Supervisor" - Leica Q at Moorgate, London

I’m Awake!

The Leica Q impresses me with the turn on and revive from sleep speeds. Turning the camera on, it can be ready to shoot in just over a second (I didn’t time this, but if I am carrying the camera on my side and I flip the switch to on and bring it to my eye, it’s just about ready to shoot once it gets to eye level). And if I think a photographic opportunity is imminent, I’ll carry the camera on because the revive from sleep time is near instantaneous. I distinctly recall being pleasantly surprised while walking in London; the Q had gone to sleep, but I brought it up and clicked the shutter to take a picture, not realizing it was asleep. The camera didn’t seem to care - it woke and took the photo immediately. I actually remarked to my husband my surprise that the Q awoke and shot that fast.

"Sharing a Secret" - Leica Q at Trafalgar Square, London

"Check In" - Leica Q in Soho, London

Eye Candy Creator - Summilux 28mm f/1.7 ASPH Lens

The real gem of the Leica Q is the lens; a Q with a 50mm f/4 wouldn’t be nearly as impressive or popular. I don’t own a 28mm M lens for comparisons, but I did shoot some side-by-sides with the Leica SL at 28mm, which we’ll cover in a minute. However, I think the 28mm Summilux f/1.7 lens that Leica has paired with the Q is a perfect match. It’s a great focal length for travel and street photography. And with the macro mode, the lens is far more versatile than most of the Leica M series lenses.

I will comment that I wish the focus ring was as smooth on the Q as it is on my M lenses. It’s not the same buttery feel and takes a little bit more force to rotate, but one of the appeals of this camera is the autofocus - if I want to shoot manual focus I can do it, or I can reach for one of my M rangefinders.

The aperture ring clicks into place with the feel familiar to my other Leica lenses. It is maybe just a tad tighter than my Leica f/0.95 M Noctilux, but that’s if I’m being picky and comparing the rotation of them side-by-side (which I just did).

Optically, the performance of this lens is wonderful. The bokeh is soft and creamy, although not Noctilux dreamy. And while 28mm is a newish focal length to me, I found it familiar and natural to use. I owe this to my iPhone, as the focal length of the Q and iPhone is very similar. 

For day-to-day shooting, I will always equip the lens hood to protect the front of the lens, although the cap goes into my pocket and doesn’t come out between shots. Honey badger doesn’t have time for a stinkin’ lens cap.

"Canon in D" - Leica Q at London's Southbanke Center

"No Place to Go" - Leica Q at London Homeless Shelter

Automagic Focus

There are times when I wished my M series bodies had autofocus. Times when I missed a shot because I am a mere mortal (or when I was shooting the Noctilux, which has extremely narrow tolerances for focusing). As much as I love to manually focus and to have the total control afforded to manual focus, there are times when it’s nice and easy to have autofocus - particularly if the goal of the photograph is documentary. 

The autofocus of the Q is what makes this camera so wonderful. It’s all the great stuff of an M body (except for interchangeable lenses) but with autofocus. The focus is fast and nearly always accurate. All of the images in this preview were shot with autofocus.

And in those instances where the Q fails to correctly read your mind and selects the wrong focus point, you can re-press the shutter half way and it’ll select a new point. I can’t tell you how wonderful this is - I felt like my Nikon and I would fight over focus point selection, but the Q knows it is your camera, and graciously offers alternative focus points if it missed on the first try.

"Partners" - Leica Q at Millenium Bridge, London

Image Quality

I am totally smitten with the image quality of the Leica SL, so the question for me was, can the Leica Q replicate the same quality but in a more compact package? Challenge gauntlet thrown!

I compared the cameras by matching similar settings - auto ISO at f/4 and let the camera choose the shutter speed. Both cameras had -1/3rd stop exposure compensation dialed in. The images you see here are both .JPEGs that have undergone the same post-processing in Lightroom (IE, both got the same adjustments for clarity and vibrance). I conducted this comparison hand holding the cameras, so minor differences in composition are “user error.”

Remember to click on an image for a full preview

Leica SL

Leica Q


Leica SL

Leica Q


Leica SL

Leica Q

Overall, the three tests are very similar. In a blind taste test, I don't think I’d be able to correctly identify which camera made which image. There are slight differences in the casting of the blue and green shades on the helicopter body, and the Q reveals slightly more shadow detail than the SL image does.

When comparing the flag photographs, big differences can be seen in the sky - the SL has almost a greenish hue (likewise, the flag is a little more green) while the Q seems to render the sky more accurately. However, recall that I shot in aperture priority - the SL in that image was a full stop brighter than the Q, which is probably a difference in metering off the reflective car hood, and may have caused some of the sky detail and color to be lost.

Of these test shots, I prefer the Q image in 2 out of the 3….. will the Q overtake the SL in my eyes as the king of image quality? It might be a little early to crown it, but the Q has certainly joined the SL in “Kristen’s smitten circle of cameras.”

"Lean" - Leica Q at Street Market in London

"Shine" - Leica Q in Soho, London

Silence is Golden

It’s worth noting that while the Leica SL is near silent, the Q is totally silent. Unless you are in a totally silent room, you cannot hear the shutter of the Q. On the street or in an area with any ambient noise, the Q will make as much sound as your iPhone (that is, none). The people you photograph on the street will never know you took their picture from audible clues. I have found myself occasionally questioning if the camera actually took a picture - it’s ninja silent. And that’s perfect, because the Q will certainly be thrust into situations where the loud sound of a shutter would not be appreciated, but where it will tippy toe through the scene without notice. 

"Poetry Slam" - Leica Q at Trafalgar Square, London

Who Should Q?

I don’t know who Leica was targeting when they produced the Q, but the continued demand for the camera suggests they underestimated the market for a perfectly engineered, full-frame, mirrorless, compact, 24 megapixel, f/1.7 28mm, stealthy, silent, shooting machine. So who should want a Q?

Without doubt, the Leica Q is a professional tool, and it can produce fine art prints for consumers and professionals alike. The image quality, which is probably owed to a combination of wonderful glass, a drop-dead gorgeous sensor and the Mastro II processor, produces results that rival Leica’s new larger body Leica SL. 

Personally, I will be using the Q to fill a space that the Leica SL didn't fill for me - the desire to have a small travel camera that I can discreetly use on the street or to document little moments that aren't "worthy" of the Leica SL. There are times when it's not appropriate to use the SL - for instance, with a shy subject in a tribal village - and where the small and silent Q will allow me to still collect those moments with incredible quality. And with travel to Norway, Germany, Austria, Thailand and a month long road trip through the US upcoming, the Leica Q will get plenty of use, and a formal review after more extensive work will be forthcoming.

As Craig Mod put it, the Leica Q is the “unicorn of consumer products….you can’t help but wonder how it clawed its way from the R&D lab” - and I cannot agree more with his sentiment. Although the Leica Q was released before the SL, the best explanation I can offer is that it’s like the M series and SL series mated, and produced this beautiful bastard child that was so quirky that Leica had no choice put to apply the same moniker to name it….. It’s the Leica Quirky Q.

And quirky is very good.

Quick Shots: From the Streets of London

Few things bring me the same pleasure and thrill of opening a fresh roll of 35mm film and exploring a city with the aim of making 36 photographs. While it's almost impossible for me to produce 36 "keepers" with any one roll, that's the goal, and I find that I have more keepers from any one roll of film than a similar 36 digital images. 

All of the images included here were shot on one roll in one day of walking around London with my Leica M7 and a 35mm Summarit lens. Apparently I had a thing for feet that day ;-)

Ghosts

Football

Hang

Tophats

A local

Leaning

Doorway

Ride Along

Selfie

Slacks

Crossing

Lookup

Quick Shot: I Know This Scene?

Every time I develop a roll of film, I rediscover my love of film. If I had taken this photograph with a digital camera, I probably would have deleted the photo. But with film, there is so much contrast. Such strong blacks. The long shadows catch my eyes. I'm lost..... my eyes can't decide what is happening, but I know this scene. It's familiar, but different. I KNOW this scene?

This is the heart of street photography. This is me capturing an ordinary moment and making it different..... putting a spin on commonality and challenging what you think makes for a great photograph. It's not straight. It's not colorful. It breaks EVERY rule of photography, but I love it.

Shot on the Leica M7 + 50mm Summilux with Adox Silvermax film.

First Day with the Leica SL

Thanks to the Leica Store in Mayfair (London), I didn't have to wait long after posting my Leica SL First Impressions to actually get my own. Leica was also kind enough to setup the camera and charge the battery for me so that I could take it shooting in London after purchase.

Like with any new camera, it takes some time to learn the buttons and figure out the 'ins and outs' of the controls, but it was the perfect day to put the camera through its paces. After starting with a walk through Soho, we walked to the Tate Modern and a Christmas market in that area before finishing with a nighttime stroll to Big Ben and Westminster. I had a chance to shoot in a bunch of different environments, including some nighttime and low-light, to really test several aspects of the camera - and I am SUPER impressed! In fact, as I downloaded the files into Photoshop last night, I kept saying "holy cow" and "wow" as I looked at the raw files; these are some of the nicest images I've ever seen come from a camera. Incredible dynamic range, sharpness, and detail. 

Stay tuned for a formal full review, but in the mean time, here's a sneak peak of my first day with the Leica SL.

Quick Shot: Streets of Belgium

I just returned from a long weekend in Belgium and have been busy developing and scanning the whopping two rolls of film I used during this trip. I think its the fewest photos I've ever taken on a vacation, but that points to the patience and thought I put into each shutter click. As a result, the number of "website worthy" images is pretty high - so prepare to see some Belgium!

I'm starting with this one because it's so unexpected. It's a street corner in Bruges, Belgium, that was quiet on a Sunday morning. I liked the architecture and buildings - it was so clearly European - and I knew it'd translate well onto black and white film.

Taken with my Leica MP using Adox Silvermax 35mm film.

Quick Shots: Stroll Through Cambridge

Street photography is all about catching a split second in time that tells a story, which is sometimes very challenging. When previously using my Nikon dSLR, I didn't do much street photography because it was bulky and can be very intimidating to people when they see you hold this massive camera up and aim at them. Now that I'm starting to use a Leica, street photography has opened up in a whole new way - the Leica is no bigger than my iPhone, so it's not intimidating, and it's virtually silent. The combination means I can take pictures without my subject feeling like I'm invading their personal space!

Armed with the Leica MP and the Adox Silvermax film (which I absolutely adore, by the way), I took a stroll through Cambridge to capture a variety of the sights and sounds of this university city. My stroll coincided with graduation for students from the University of Cambridge, so it was busier than usual with lots of interesting personalities available to photograph. Here's a selection of prints from my stroll - do you have any favorites?

This woman was relaxing to enjoy one of the first nice days this spring. I was convinced to take the photograph because of her tattoos and seeing that she'd taken her shoes off. 

We were walking down the street and I saw the boy being hoisted onto the bike seat and knew I had to get in front of them to take a photograph. The boy was so excited to be sitting on his mom's bike!

A lot of the street musicians in Cambridge are not terribly good, but there are a few worth stopping and listening to as they perform. Tobias was very good!

I walked right past these two German men without noticing them until my ears caught them speaking German. Having taken some German in school, I turned to see who the voice was attached to and was immediately captured by them. For me, it's the little boy who looks bored that really makes the image.

Soon-to-be graduates from one of the Cambridge University colleges line up in procession to enter their graduation ceremony. I intentionally underexposed to create a stark contrast between the black and white of their robes. 

This woman's Thai food truck always smells delicious, but there's normally a long line so I haven't stopped to taste it (yet). The woman in the foreground was just placing her order.