The Noctilux is proof of what incredible engineering can give us - it pushes the boundaries of lens design in many regards, most notably for it’s incredible f/0.95 aperture. Yet for it’s technical accomplishments, there is one nasty side effect that you will face…. Chromatic Aberration.
Chromatic aberration usually occurs in the highlights where those highlights meet a strong dark and contrasty area of the image. For outdoor photographers, we’ll often associate chromatic aberration with the purple outline where tree limbs and bright sky meet.
I hate chromatic aberration - but it’s an artifact of digital photography that we cannot escape, just like dust is an artifact in film photography. Unfortunately, at f/0.95, the Noctilux has very strong chromatic aberration, probably some of the worst I’ve ever seen in a lens. Stopping down even just to f/2 resolves all of the chromatic aberration, but at the cost of the storytelling benefits of f/0.95. Again I face the cake vs eating conundrum, and I choose cake….. to shoot at f/0.95 and deal with it in Lightroom.
Lightroom, Photoshop and Adobe Camera Raw all have great chromatic aberration removal tools available, and a shallow depth-of-field Noctilux shooter should get familiar with them quickly. Even when I convert to black and white, I will take the time to resolve the chromatic aberration to prevent weird tonality changes.
The Leica Camera marketing team clearly wants you to feel special if you’ve spent $11,000 on alens, so they’ve packaged the Noctilux far more luxuriously than the other lenses I’ve owned. The exterior box is the traditional silver and black cardboard affair, but it’s big enough that I could store a pair of shoes in it. All the talk about how big the Noctilux is compared to other 50mm lenses in the Leica lineup isn’t helped when the box is that big!
Inside the box is the usual buffet of Leica paperwork: an instruction manual (sort of funny, if you think about it), a guarantee card, a certificate of inspection, and Leica Passport card. Remove the foam insert holding these pieces and you are rewarded with yet another box. This box is solid black with the Leica Camera logo stamped on the top and with a ribbon latch. Except for it’s large size, you could mistake it for an engagement ring box- which might have been Leica’s intention. If you buy a Leica Noctilux, you’ve become married to the brand? Untie the ribbon latch and inside the box rests the lens… on a silky pillow. With this sort of presentation, I’m a bit surprised the Noctilux doesn’t include a pair of white gloves for handling!